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Ahsoka Season 2: Leia to the Rescue? Or Just Another Star Wars Rehash?

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On this episode of “Why Weren’t You in Season One?” I tackle the latest from Screen Rant, who boldly declare that Ahsoka Season 2 “must finally make one heartbreaking recast.” And by heartbreaking, they mean recasting Princess Leia—again. But… didn’t that already happen?

Let’s rewind a bit. Remember Rogue One? That final scene with Leia that led right into A New Hope? Yeah, that wasn’t actually Carrie Fisher. It was CGI. They even brought Grand Moff Tarkin back from the dead using digital sorcery—and the world kept turning. So why all the hand-wringing now?

The truth is, Ahsoka Season 1 already felt like it was missing half the galaxy. Where were Luke, Han, Leia? If we’re pretending Admiral Thrawn is the next Thanos-level threat, where were the actual big players? When Ewan McGregor’s wife asked for backup, the New Republic practically laughed in her face. Wouldn’t that have been the perfect time for Princess Leia to show up and lend some real weight to the mission? You know—troops, authority, relevance?

But no. Instead, we got a ragtag team trying to save the galaxy while the rest of the characters seemingly just scrolled past the group chat.

Now, Ahsoka Season 2 is somehow greenlit. Yes, one of the lowest-rated shows on Disney+—a series that most fans, especially the ones who care about Star Wars lore, universally panned—is getting a second season. It’s a move that feels less like a creative decision and more like a stubborn refusal to read the room.

And here’s the kicker: Screen Rant’s article argues that Leia “needs to be shown as the hero Carrie Fisher should have gotten to be.” That sentence alone is confusing enough, but the irony is worse. This same outlet has already published multiple articles claiming Leia was already the real hero of Star Wars. One in 2021: “10 Reasons Leia Was the Original Trilogy’s Real Hero.” Another in 2024: “Leia Was the Real New Hope in the Original Trilogy.”

So which is it? Leia was already the real MVP… or we need to force her into Ahsoka Season 2 to prove it all over again?

Disney seems dead set on rewriting the mythos, show by show. And now, it looks like Ahsoka Season 2 is shaping up to be less about Ahsoka and more about Leia 2.0—probably a CG version, because let’s be real, they’re not going to recast her. Much like Luke in The Mandalorian, we’ll likely get a face-mapped digital Leia, slapped onto a body double and run through some AI filters. It’s not about the story anymore—it’s about keeping IPs on life support with nostalgia cameos and legacy-brand cameos.

At this point, does it even matter when the show comes out? Will anyone notice? Season 1 already came and went with all the fanfare of a whisper. So what’s Season 2 supposed to fix?

Let me know what you think. Should Leia have been in Season 1? Will Season 2 turn the ship around? Or are we just watching Disney dig a deeper hole in a galaxy far, far away?

Movies and Shows, Podcast

Daredevil Born Again: A Reality Check for Disney+

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Daredevil Born Again was supposed to be the show that brought back the Netflix-era magic of Marvel’s most beloved street-level hero. But now? It’s struggling to even match Agatha All Along in viewership numbers.

Disney+ was once an unstoppable force, delivering hit after hit, but those days are gone. Shows like Loki, WandaVision, and Falcon and the Winter Soldier had intrigue, but Daredevil had something more—an existing, passionate fanbase. After all, the Netflix Daredevil series is widely considered one of the best superhero shows ever made.

Yet, Daredevil Born Again premiered with only 7.5 million views in its first five days, compared to Agatha All Along’s 9.3 million and Loki Season 2’s 10.9 million. That’s an embarrassingly low number for a franchise that once dominated. Even The Acolyte, which Disney immediately canceled, had better numbers.

So, what went wrong?

Disney promised a fresh start, a return to form after scrapping their initial episodes and hiring new talent. Yet, signs of forced messaging and political themes crept back in. The leaked plot about corrupt cops tattooing The Punisher’s symbol had already turned fans off before release. And when the actual show confirmed those fears, many fans checked out.

The biggest issue? Fans simply don’t care anymore. After years of letdowns, Disney burned through goodwill, and now even a Daredevil revival can’t reignite interest.

Movies and Shows

One of the Greatest Mysteries of Our Time: Vulture in Morbius

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Michael Keaton recently admitted that even he doesn’t understand his cameo as Vulture in Morbius. And honestly, who does? This post-credits scene is one of the most confusing in cinematic history.

Let’s break it down:

  • In Spider-Man: No Way Home, villains who knew Peter Parker’s identity were transported back to their original universes.
  • But for some reason, Vulture—a villain from Tom Holland’s universe—was transported into the Morbius universe instead.
  • Somehow, he also got his high-tech flight suit back… even though it was created using alien tech from The Avengers battle in New York.
  • And despite all this, Vulture immediately decides that Spider-Man is responsible for his situation and randomly seeks out Morbius, even though Morbius was just a doctor-turned-vampire with no major presence in the city.

None of this makes sense.

Michael Keaton himself admitted he had “no idea” what was happening, and that Sony just pitched him a vague idea, probably alongside a big paycheck. Sony clearly wanted to set up a Sinister Six team-up, but they had no plan. Now, years later, there’s still no follow-up, leaving this scene as nothing more than a bizarre cliffhanger with no resolution.

Was Morbius hinting at something bigger? Or was this just another example of Sony scrambling to connect a universe that doesn’t actually fit together?

Videogame Reviews, Videogames

Why Spider-Man 3 Will Flop

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Predicting the future of video games can be tricky, but based on recent trends, Spider-Man 3 is headed for trouble. Spider-Man 2 rode the success of its predecessor, yet it introduced elements that divided players. While the first game delivered strong combat, a gripping storyline, and stayed clear of controversy, its sequels progressively leaned into social messaging.

The Miles Morales spin-off was generally well-received, but Spider-Man 2 brought in what some consider unnecessary political symbolism, self-insert characters, and forced inclusivity. Interestingly, the Middle Eastern version of the game omitted these elements, sparking debates on whether such changes impact sales.

Now, with Spider-Man 3 placing Miles as the sole protagonist, the game’s success will no longer be buoyed by Peter Parker’s popularity or pre-order momentum. If trends continue, pre-order numbers will decline, and defenders of the game will be quick to attribute criticism to race rather than consumer disinterest. Just like The Marvels, expect a campaign to shield it from failure.

Will Spider-Man 3 defy expectations, or will it crumble under its own weight? Time will tell.

Movies and Shows

Rey the Robot? The Star Wars Script That Almost Was

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In the ever-evolving world of Star Wars lore, there are always surprising revelations and intriguing what-ifs that keep fans buzzing. One of the more astonishing tidbits involves a script for the sequel trilogy where Rey was not just the scavenger-turned-Jedi we know, but a robot. Yes, you read that correctly – a robot.

One of the writers for the Star Wars sequel trilogy apparently penned a script where Rey was revealed to be a robot. This revelation might leave you scratching your head, much like it did me. According to sources, including Jenny Nicholson, this script envisioned Rey as a secret robot throughout the events of The Force Awakens. This concept, however, was ultimately shelved and reimagined, leading to the Rise of Skywalker we saw in theaters.

Imagining Rey as a robot certainly adds a new layer of complexity to the storyline. How would it have changed the dynamics between characters? Would it have provided a more logical explanation for her incredible abilities? Some argue that it might have made more sense than the infamous “Somehow, Palpatine returned” plot point. A Rey created in a lab, infused with midi-chlorians, could have offered a more grounded rationale for her rapid ascent as a Jedi.

The concept of Rey as a robot has received mixed reactions from the fan community. Some believe it could have provided a richer, more cohesive narrative, especially considering the somewhat divisive reception of the sequel trilogy. Others feel that it might have detracted from the human element that Rey brought to the story – her struggle, her growth, and her ultimate victory.

As always, the success of such a bold narrative choice would hinge on the execution. A good writer has the power to turn even the most outlandish ideas into compelling stories. The key is in crafting a plot that resonates with audiences and stays true to the essence of the characters and the universe they inhabit. Unfortunately, if handled poorly, it could easily have been dismissed as “the one where Rey was a robot.”

While we will never see this version of the story on the big screen, it’s an intriguing thought experiment. Could Rey as a robot have been the key to a more universally acclaimed sequel trilogy? Or would it have been another controversial decision in a saga that has seen its fair share of highs and lows?

In the end, the idea of Rey as a robot is one of those fascinating “what ifs” that keep the Star Wars fandom alive with speculation and debate. It’s a testament to the enduring allure of the galaxy far, far away that even the unrealized scripts can spark such interest and discussion. Whether you think it’s a brilliant missed opportunity or a dodged bullet, it’s clear that the world of Star Wars will never stop surprising us.

What are your thoughts on this potential storyline? Would Rey as a robot have made for a better trilogy, or are you glad it remained just a script? Share your thoughts in the comments below!

Video Discussion https://youtu.be/-odomSnPKL4

World War Joe

Podcast

Rey the Robot? The Star Wars Script That Almost Was (Video)

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Movies and Shows

Captain America 4: A $400 Million Dollar Dumpster Fire?

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In the latest episode of cinematic chaos, Captain America: Brave New World has captured headlines for all the wrong reasons. With a reported budget of $350 to $375 million, fans and critics alike are left wondering: what in the world did they spend all that money on? This staggering figure makes Captain America 4 one of the most expensive films in Marvel’s history, but the early signs point to a potential box office disaster.

Last year, after receiving overwhelmingly negative test scores and leaving Marvel executives underwhelmed by an early cut of the film, the release of Captain America: Brave New World was delayed to February 2025. The film, which had already amassed a budget of $275 million before any reshoots, needed extensive additional filming. The reshoots reportedly cost Disney and Marvel an extra $75 to $100 million, bringing the total budget to an eye-watering amount. Essentially, it seems like they are almost shooting a brand new movie. Comparatively, “Godzilla Minus One,” (one of my favorite movies of all time) was produced on a budget of just $12 to $15 million.

Given these developments, Captain America 4 is shaping up to be one of the biggest box office flops in Marvel’s history. This comes on the heels of “The Marvels,” another recent Marvel release that also floundered financially and critically. The once unshakeable Marvel Cinematic Universe (MCU) now appears to be struggling, with two potential major flops within a few months of each other.

A significant part of the controversy revolves around the character of Sam Wilson. Initially introduced as a normal guy with Falcon wings and machine guns, fighting alongside iconic heroes like Captain America, Wilson’s character development has been divisive. Many fans were thrilled when he was handed the Captain America shield at the end of “Endgame,” but the subsequent Disney+ series, “Falcon and the Winter Soldier,” left a lot to be desired.

The series saw Wilson grappling with the mantle of Captain America, only to relinquish the shield and then struggle throughout the show. Fans criticized the portrayal of Wilson, arguing that he had been diminished in a role that should have showcased his evolution into a new hero.

The problems with Captain America 4 run deeper than just character issues. The extensive reshoots, which involved redoing three major action sequences, indicate that the initial vision for the movie was deeply flawed. Despite having nearly $100 million poured into reshoots, there’s skepticism about whether these efforts will be enough to salvage the film.

Moreover, the fact that a film with such a significant budget and the backing of Marvel Studios could face such a troubled production process is alarming. It raises concerns about the decision-making and creative direction at Marvel, which was once lauded for its almost flawless execution of the MCU.

As it stands, Captain America: Brave New World looks poised to become a case study in how not to manage a blockbuster franchise. With a bloated budget, negative early reviews, and a narrative that has already alienated a portion of its fan base, the future of this film looks bleak.

In the end, the only question that remains is whether the movie can overcome these immense hurdles and surprise us all. Can the extensive reshoots and additional budget save Captain America 4, or is it destined to become a cautionary tale in the annals of Hollywood history?

What do you think about the state of Captain America 4 and the broader MCU? Is there any hope left for this beleaguered franchise? Let us know in the comments below!

Movies and Shows

Nicolas Cage Saves Cinema

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Yes the most ridiculous plot line of all time might be one of the best movies of the year or a forgettable flop, but only man can do it and that’s Nicolas Cage

Article https://www.slashfilm.com/1576483/the-carpenters-son-nicolas-cage-jesus-horror-movie/

Gameplay Broforce

Movies and Shows

How Ruby Destroyed the World: Doctor Who Episode 4

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It’s rare when a time paradox episode ends where the problem isn’t solved yet the showrunners want to convince us that its solved. Russell T Davies writes another stinker of an episode and its more evident than ever that he has given up.