Category Archives: Movies and Shows

Netflix’s Assassin’s Creed: A Stealth Game Franchise That Can’t Escape Its Own Mistakes

Netflix is officially moving forward with a live-action Assassin’s Creed series—and somehow, they’ve learned absolutely nothing.

Remember the 2016 movie with Michael Fassbender? No? Exactly. Instead of delivering the assassin-centered story fans craved, we got a convoluted mess obsessed with the Animus and the “Apple of Eden.” That same misguided philosophy is likely creeping into this series, too—along with what seems to be a strategy focused more on headlines than quality storytelling.

I imagine the show would be more interested in scoring diversity points than in actually crafting a good narrative. There’s a growing trend where projects brag about their inclusive casting, then weaponize backlash to deflect from the real problem: the content just isn’t good.

You can already predict the PR cycle: puff pieces praising the vision, accusing audiences of bigotry for not tuning in, followed by a quiet flop and no season two.

Ubisoft, once a juggernaut of banger releases, now clings to fading relevance while the Assassin’s Creed games drift further from what made them popular in the first place—stealth, intrigue, and historical immersion. The newest games feel like off-brand Ghost of Tsushima clone, and now the Netflix series might follow suit. A better idea? Start small. Build interest with compelling side characters or spinoff content—then develop from there. But instead, it looks like they’re chasing social media impressions and bracing for bankruptcy.

At this point, fans can only hope for a miracle—or at least for Netflix to step aside and let Assassin’s Creed quietly vanish into the shadows where it belongs.

World War Joe

Daredevil Born Again: A Reality Check for Disney+

Daredevil Born Again was supposed to be the show that brought back the Netflix-era magic of Marvel’s most beloved street-level hero. But now? It’s struggling to even match Agatha All Along in viewership numbers.

Disney+ was once an unstoppable force, delivering hit after hit, but those days are gone. Shows like Loki, WandaVision, and Falcon and the Winter Soldier had intrigue, but Daredevil had something more—an existing, passionate fanbase. After all, the Netflix Daredevil series is widely considered one of the best superhero shows ever made.

Yet, Daredevil Born Again premiered with only 7.5 million views in its first five days, compared to Agatha All Along’s 9.3 million and Loki Season 2’s 10.9 million. That’s an embarrassingly low number for a franchise that once dominated. Even The Acolyte, which Disney immediately canceled, had better numbers.

So, what went wrong?

Disney promised a fresh start, a return to form after scrapping their initial episodes and hiring new talent. Yet, signs of forced messaging and political themes crept back in. The leaked plot about corrupt cops tattooing The Punisher’s symbol had already turned fans off before release. And when the actual show confirmed those fears, many fans checked out.

The biggest issue? Fans simply don’t care anymore. After years of letdowns, Disney burned through goodwill, and now even a Daredevil revival can’t reignite interest.

One of the Greatest Mysteries of Our Time: Vulture in Morbius

Michael Keaton recently admitted that even he doesn’t understand his cameo as Vulture in Morbius. And honestly, who does? This post-credits scene is one of the most confusing in cinematic history.

Let’s break it down:

  • In Spider-Man: No Way Home, villains who knew Peter Parker’s identity were transported back to their original universes.
  • But for some reason, Vulture—a villain from Tom Holland’s universe—was transported into the Morbius universe instead.
  • Somehow, he also got his high-tech flight suit back… even though it was created using alien tech from The Avengers battle in New York.
  • And despite all this, Vulture immediately decides that Spider-Man is responsible for his situation and randomly seeks out Morbius, even though Morbius was just a doctor-turned-vampire with no major presence in the city.

None of this makes sense.

Michael Keaton himself admitted he had “no idea” what was happening, and that Sony just pitched him a vague idea, probably alongside a big paycheck. Sony clearly wanted to set up a Sinister Six team-up, but they had no plan. Now, years later, there’s still no follow-up, leaving this scene as nothing more than a bizarre cliffhanger with no resolution.

Was Morbius hinting at something bigger? Or was this just another example of Sony scrambling to connect a universe that doesn’t actually fit together?

Rey the Robot? The Star Wars Script That Almost Was

In the ever-evolving world of Star Wars lore, there are always surprising revelations and intriguing what-ifs that keep fans buzzing. One of the more astonishing tidbits involves a script for the sequel trilogy where Rey was not just the scavenger-turned-Jedi we know, but a robot. Yes, you read that correctly – a robot.

One of the writers for the Star Wars sequel trilogy apparently penned a script where Rey was revealed to be a robot. This revelation might leave you scratching your head, much like it did me. According to sources, including Jenny Nicholson, this script envisioned Rey as a secret robot throughout the events of The Force Awakens. This concept, however, was ultimately shelved and reimagined, leading to the Rise of Skywalker we saw in theaters.

Imagining Rey as a robot certainly adds a new layer of complexity to the storyline. How would it have changed the dynamics between characters? Would it have provided a more logical explanation for her incredible abilities? Some argue that it might have made more sense than the infamous “Somehow, Palpatine returned” plot point. A Rey created in a lab, infused with midi-chlorians, could have offered a more grounded rationale for her rapid ascent as a Jedi.

The concept of Rey as a robot has received mixed reactions from the fan community. Some believe it could have provided a richer, more cohesive narrative, especially considering the somewhat divisive reception of the sequel trilogy. Others feel that it might have detracted from the human element that Rey brought to the story – her struggle, her growth, and her ultimate victory.

As always, the success of such a bold narrative choice would hinge on the execution. A good writer has the power to turn even the most outlandish ideas into compelling stories. The key is in crafting a plot that resonates with audiences and stays true to the essence of the characters and the universe they inhabit. Unfortunately, if handled poorly, it could easily have been dismissed as “the one where Rey was a robot.”

While we will never see this version of the story on the big screen, it’s an intriguing thought experiment. Could Rey as a robot have been the key to a more universally acclaimed sequel trilogy? Or would it have been another controversial decision in a saga that has seen its fair share of highs and lows?

In the end, the idea of Rey as a robot is one of those fascinating “what ifs” that keep the Star Wars fandom alive with speculation and debate. It’s a testament to the enduring allure of the galaxy far, far away that even the unrealized scripts can spark such interest and discussion. Whether you think it’s a brilliant missed opportunity or a dodged bullet, it’s clear that the world of Star Wars will never stop surprising us.

What are your thoughts on this potential storyline? Would Rey as a robot have made for a better trilogy, or are you glad it remained just a script? Share your thoughts in the comments below!

Video Discussion https://youtu.be/-odomSnPKL4

World War Joe

Captain America 4 a $400 Million Dollar Dumpster Fire

Captain America 4: A $400 Million Dollar Dumpster Fire?

In the latest episode of cinematic chaos, Captain America: Brave New World has captured headlines for all the wrong reasons. With a reported budget of $350 to $375 million, fans and critics alike are left wondering: what in the world did they spend all that money on? This staggering figure makes Captain America 4 one of the most expensive films in Marvel’s history, but the early signs point to a potential box office disaster.

Last year, after receiving overwhelmingly negative test scores and leaving Marvel executives underwhelmed by an early cut of the film, the release of Captain America: Brave New World was delayed to February 2025. The film, which had already amassed a budget of $275 million before any reshoots, needed extensive additional filming. The reshoots reportedly cost Disney and Marvel an extra $75 to $100 million, bringing the total budget to an eye-watering amount. Essentially, it seems like they are almost shooting a brand new movie. Comparatively, “Godzilla Minus One,” (one of my favorite movies of all time) was produced on a budget of just $12 to $15 million.

Given these developments, Captain America 4 is shaping up to be one of the biggest box office flops in Marvel’s history. This comes on the heels of “The Marvels,” another recent Marvel release that also floundered financially and critically. The once unshakeable Marvel Cinematic Universe (MCU) now appears to be struggling, with two potential major flops within a few months of each other.

A significant part of the controversy revolves around the character of Sam Wilson. Initially introduced as a normal guy with Falcon wings and machine guns, fighting alongside iconic heroes like Captain America, Wilson’s character development has been divisive. Many fans were thrilled when he was handed the Captain America shield at the end of “Endgame,” but the subsequent Disney+ series, “Falcon and the Winter Soldier,” left a lot to be desired.

The series saw Wilson grappling with the mantle of Captain America, only to relinquish the shield and then struggle throughout the show. Fans criticized the portrayal of Wilson, arguing that he had been diminished in a role that should have showcased his evolution into a new hero.

The problems with Captain America 4 run deeper than just character issues. The extensive reshoots, which involved redoing three major action sequences, indicate that the initial vision for the movie was deeply flawed. Despite having nearly $100 million poured into reshoots, there’s skepticism about whether these efforts will be enough to salvage the film.

Moreover, the fact that a film with such a significant budget and the backing of Marvel Studios could face such a troubled production process is alarming. It raises concerns about the decision-making and creative direction at Marvel, which was once lauded for its almost flawless execution of the MCU.

As it stands, Captain America: Brave New World looks poised to become a case study in how not to manage a blockbuster franchise. With a bloated budget, negative early reviews, and a narrative that has already alienated a portion of its fan base, the future of this film looks bleak.

In the end, the only question that remains is whether the movie can overcome these immense hurdles and surprise us all. Can the extensive reshoots and additional budget save Captain America 4, or is it destined to become a cautionary tale in the annals of Hollywood history?

What do you think about the state of Captain America 4 and the broader MCU? Is there any hope left for this beleaguered franchise? Let us know in the comments below!

Nicolas Cage Saves Cinema

Yes the most ridiculous plot line of all time might be one of the best movies of the year or a forgettable flop, but only man can do it and that’s Nicolas Cage

Article https://www.slashfilm.com/1576483/the-carpenters-son-nicolas-cage-jesus-horror-movie/

Gameplay Broforce

How Ruby Destroyed the World: Doctor Who Episode 4

It’s rare when a time paradox episode ends where the problem isn’t solved yet the showrunners want to convince us that its solved. Russell T Davies writes another stinker of an episode and its more evident than ever that he has given up.

Dune 2 Quick Review: Why Did the Director Lie to Us? SPOILERS

Denis Villeneuve had some odd things before Dune 2 debuted in theaters, but they were all lies. There was no bait-and-switch which I elluded to in a previous video. In fact, I think Dune 2 will be the highest grossing movie of the year.

Bait and Switch: The Crow Remake

I think we are in for another pushing the main character aside for the strong, independent and diverse girl boss.