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Ahsoka Season 2: Leia to the Rescue? Or Just Another Star Wars Rehash?

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On this episode of “Why Weren’t You in Season One?” I tackle the latest from Screen Rant, who boldly declare that Ahsoka Season 2 “must finally make one heartbreaking recast.” And by heartbreaking, they mean recasting Princess Leia—again. But… didn’t that already happen?

Let’s rewind a bit. Remember Rogue One? That final scene with Leia that led right into A New Hope? Yeah, that wasn’t actually Carrie Fisher. It was CGI. They even brought Grand Moff Tarkin back from the dead using digital sorcery—and the world kept turning. So why all the hand-wringing now?

The truth is, Ahsoka Season 1 already felt like it was missing half the galaxy. Where were Luke, Han, Leia? If we’re pretending Admiral Thrawn is the next Thanos-level threat, where were the actual big players? When Ewan McGregor’s wife asked for backup, the New Republic practically laughed in her face. Wouldn’t that have been the perfect time for Princess Leia to show up and lend some real weight to the mission? You know—troops, authority, relevance?

But no. Instead, we got a ragtag team trying to save the galaxy while the rest of the characters seemingly just scrolled past the group chat.

Now, Ahsoka Season 2 is somehow greenlit. Yes, one of the lowest-rated shows on Disney+—a series that most fans, especially the ones who care about Star Wars lore, universally panned—is getting a second season. It’s a move that feels less like a creative decision and more like a stubborn refusal to read the room.

And here’s the kicker: Screen Rant’s article argues that Leia “needs to be shown as the hero Carrie Fisher should have gotten to be.” That sentence alone is confusing enough, but the irony is worse. This same outlet has already published multiple articles claiming Leia was already the real hero of Star Wars. One in 2021: “10 Reasons Leia Was the Original Trilogy’s Real Hero.” Another in 2024: “Leia Was the Real New Hope in the Original Trilogy.”

So which is it? Leia was already the real MVP… or we need to force her into Ahsoka Season 2 to prove it all over again?

Disney seems dead set on rewriting the mythos, show by show. And now, it looks like Ahsoka Season 2 is shaping up to be less about Ahsoka and more about Leia 2.0—probably a CG version, because let’s be real, they’re not going to recast her. Much like Luke in The Mandalorian, we’ll likely get a face-mapped digital Leia, slapped onto a body double and run through some AI filters. It’s not about the story anymore—it’s about keeping IPs on life support with nostalgia cameos and legacy-brand cameos.

At this point, does it even matter when the show comes out? Will anyone notice? Season 1 already came and went with all the fanfare of a whisper. So what’s Season 2 supposed to fix?

Let me know what you think. Should Leia have been in Season 1? Will Season 2 turn the ship around? Or are we just watching Disney dig a deeper hole in a galaxy far, far away?

Movies and Shows

Rey the Robot? The Star Wars Script That Almost Was

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In the ever-evolving world of Star Wars lore, there are always surprising revelations and intriguing what-ifs that keep fans buzzing. One of the more astonishing tidbits involves a script for the sequel trilogy where Rey was not just the scavenger-turned-Jedi we know, but a robot. Yes, you read that correctly – a robot.

One of the writers for the Star Wars sequel trilogy apparently penned a script where Rey was revealed to be a robot. This revelation might leave you scratching your head, much like it did me. According to sources, including Jenny Nicholson, this script envisioned Rey as a secret robot throughout the events of The Force Awakens. This concept, however, was ultimately shelved and reimagined, leading to the Rise of Skywalker we saw in theaters.

Imagining Rey as a robot certainly adds a new layer of complexity to the storyline. How would it have changed the dynamics between characters? Would it have provided a more logical explanation for her incredible abilities? Some argue that it might have made more sense than the infamous “Somehow, Palpatine returned” plot point. A Rey created in a lab, infused with midi-chlorians, could have offered a more grounded rationale for her rapid ascent as a Jedi.

The concept of Rey as a robot has received mixed reactions from the fan community. Some believe it could have provided a richer, more cohesive narrative, especially considering the somewhat divisive reception of the sequel trilogy. Others feel that it might have detracted from the human element that Rey brought to the story – her struggle, her growth, and her ultimate victory.

As always, the success of such a bold narrative choice would hinge on the execution. A good writer has the power to turn even the most outlandish ideas into compelling stories. The key is in crafting a plot that resonates with audiences and stays true to the essence of the characters and the universe they inhabit. Unfortunately, if handled poorly, it could easily have been dismissed as “the one where Rey was a robot.”

While we will never see this version of the story on the big screen, it’s an intriguing thought experiment. Could Rey as a robot have been the key to a more universally acclaimed sequel trilogy? Or would it have been another controversial decision in a saga that has seen its fair share of highs and lows?

In the end, the idea of Rey as a robot is one of those fascinating “what ifs” that keep the Star Wars fandom alive with speculation and debate. It’s a testament to the enduring allure of the galaxy far, far away that even the unrealized scripts can spark such interest and discussion. Whether you think it’s a brilliant missed opportunity or a dodged bullet, it’s clear that the world of Star Wars will never stop surprising us.

What are your thoughts on this potential storyline? Would Rey as a robot have made for a better trilogy, or are you glad it remained just a script? Share your thoughts in the comments below!

Video Discussion https://youtu.be/-odomSnPKL4

World War Joe

Podcast

Rey the Robot? The Star Wars Script That Almost Was (Video)

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Movies and Shows, Podcast

Echo Prediction: A Smallpox Mess of a Show

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Oh, what a time to be alive. Echo is debuting in a few days, and all episodes being dropped on day one is NEVER a good sign, but all I know is it’ll be a fun time reviewing this show. Check out my preview of what will certainly be a full week of content.

Movies and Shows, Podcast

Blood and Honey Killing Loki

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Movies and Shows

Is Echo the new Andor?

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The Echo trailer just dropped today, and it looks surprisingly cool. There is a lot of rated Mature violence, blood, and death, but I still don’t trust the trailer. This is the first MCU Disney+ show to have all the episodes drop on the same day, which does show a lack of faith in the show by Disney. Having a weekly premier adds online buzz and would have viewers debating theories each and every week.

There have been some rumors from the cast that Disney is reportedly “unhappy” with the project, and many speculate if it would get the Batgirl treatment (meaning it was canceled and the company would recoup the tax write-off), which makes sense given the state of Disney now. Disney+ is hemorrhaging money on its shows and movies that go straight to the streaming service. Secret Invasion cost Disney 200 million dollars and had some of the worst ratings and fan reactions.

If the show is as fantastic as the trailer, then the best-case scenario is for this show to end up like the Star Wars show Andor, which was a good show but came and went without any significant impact on the franchise.

I do wonder how this show will treat Matthew Murdoc, AKA Daredevil. The character and Netflix show was an absolute hit, but his time in the MCU has been nothing short of disrespectful to the character and fans alike. If he does battle with Echo, I imagine he will be beaten senseless.

World War Joe

Movies and Shows

Wish: Another “White Man Bad” Flop

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Why does Disney still make movies? They’re not good at it anymore. I just saw the trailer for their latest flop, Wish, and it checks off the diversity boxes:

-Brown female lead

-Chubby Asian diversity hire friend

-A white male villain who oppresses the people

The plot of Wish parallels a lot of things wrong with modern society. People don’t want to work for their goals. They want instant gratification and think they’re entitled to whatever they want.

The King of this land can grant wishes, and his daughter, Asha, uncovers that not every wish is granted and the king decides what wishes come true and says, “I decide what everyone deserves,” in a malicious fashion. Asha then wishes upon a star and, from what I gathered, can now grant wishes herself.

We have seen similar plot points in Wonder Woman 1984 and Bruce Almighty, where everyone got their deepest desires granted, and then they had to have such a gift stripped away because of the chaos that would ensue.

We see a clip of the King granting a man’s wish to be a knight. The man is consumed by magic, and a knight’s outfit appears on him. That doesn’t make him a knight. A man must endure trials and tribulations to finally earn that title. You can’t just wish for it; you are bestowed courage and wisdom.

The movie, I think, has only one logical ending. For Asha to realize that her father is right. Not everyone should have their wishes granted. How noble the wish may be doesn’t matter, but can Disney be so self-aware? Can they say that the diversity hire is wrong and the evil patristical white man is right? I doubt it. Disney is committed to going down with the ship on their politics and ideals, but I can’t think of another ending. Maybe the King steps down and puts Asha in charge of granting the wishes for the kingdom, but in that scenario, Asha still has to approve or deny the wishes. I’m betting Wish will be another Flop in the failing empire that once was Disney.

World War Joe

Movies and Shows

Monsters at Work: A Single-Season Triumph

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Disney+ has been home to numerous original series, but “Monsters at Work” stands out above the rest. Set shortly after the events of “Monsters, Inc.”, the show navigates the company’s transition from harnessing Scream Energy to Laugh Energy.

We follow the journey of Tylor, a fresh Monsters University graduate primed to begin his career as a Scarer. However, with the company’s shift, Tylor is thrust into the world of Jokesters. Starting in the maintenance department, Tylor undergoes a transformative journey, learning the nuances of making children laugh. Meanwhile, fan-favorite characters Mike and Sulley grapple with the challenges of leading the revamped company.

Every element of “Monsters at Work” was executed flawlessly, from character development to intertwining narratives. The series culminated perfectly with Tylor having mastered his comedic skills, eliciting genuine laughter from a child.

While the allure of a second season might be tempting, it’s worth questioning the necessity. Some stories are best told concisely, and “Monsters at Work” may be one such tale. Additionally, with Disney’s recent trend of shelving content for tax benefits, there’s no assurance that a hypothetical second season would even make its way to Disney+.

In sum, “Monsters at Work” is a rare Disney+ show that doesn’t ruin the original source material — a narrative beautifully wrapped in a single season, leaving a lasting impression on its audience.

World War Joe

Movies and Shows

Up: Dark Twist

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I think Carl from Up was planning on killing himself. Why would an old man fly to the middle of nowhere with 0 supplies? If Russell didn’t ruin Carl’s plans, then he would’ve ended it all. Thoughts?

World War Joe

Movies and Shows, Podcast

Snow Blanco and the 6 Excuses

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